Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them–the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. . Rafael Sabatini
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  1. But he looks no more than thirty. He's very handsome-- so much you will admit; nor will you deny that he is very wealthy and very powerful; the greatest nobleman in Brittany. He will make me a great lady.'' God made you that, Aline.

  2. And yet she was content to pair off with this dull young adventurer in the tarnished lace! It was, he supposed, the sort of thing to be expected of a sex that all philosophy had taught him to regard as the maddest part of a...

  3. Do you know, André, I sometimes think that you have no heart.' 'Presumably because I sometimes betray intelligence.

  4. Mind being the seat of the soul, and literature being the expression of the mind, literature, it follows, is the soul of an age, the surviving and immortal part of it.

  5. Life is an ephemeral business, and we waste too much of it in judging where it would beseem us better to accept, that we ourselves may come to be accepted by such future ages as may pursue the study of us.

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